Gender, joinery, and ecology are at the heart of my practice as a visual artist. I am driven by a fascination with the inchoate and the unknown, invested in how objects can be queered and their meaning altered to speak to the interdependent and the intimate. Kinetic and sound sculptures in particular, which are central to my practice, demonstrate the emotive aspects of humanness– the fallible, mundane, and repetitious. My work presents an assemblage of seemingly disparate sculptural and installation elements, which set in motion dialogues concerning wellbeing, human relationships, consumption, and survival.
An early work from 1998, Two Pan Tops Can Meet, reclaimed a homophobic saying I encountered while working as a Peace Corps Volunteer in Jamaica. The proverb “two pan tops can’t meet” was a perplexing, humorous, and perilous warning that I could not come out for fear of my personal safety. In the pan lid I discovered an everyday object that could be queered; it made sound when struck and allowed me to speak back to a heteronormative culture. This led to a series where I repurposed discarded pan lids, collaborated with composers to resound queer futures with these sound sculptures.
Using everyday and found objects in my work also allows me to raise questions about gender, as well as consumption and ecology. For the last decade, I served on the prominent Recology Artist in Residency board in San Francisco. The profound effect of being surrounded by our trash reaffirms my concerns with the environment and sustainability. Over time I have come to understand ecology and queerness as ‘strange friends,’ as both confound boundaries, reject sameness, and imagine new ways of being. Both address complex webs of biodiversity and intimate interdependence that multiply difference and reject binaries and essentialist notions of being. Both reveal that beings exist relationally. Through my creative practice I continually grapple with this dilemma: As resources shrink, how can queer ecology lend alternatives to our exploitive systems?
by Wanda Corn + Tirza True Latimer (View PDF)
2011
One reproduction and text, published by University of California Press, Contemporary Jewish Museum, San Francisco, CA
ISBN-10: 520270029
ISBN-13: 978-0520270022
by Phil Weidman (Editor), Liv Moe (Foreword), Francesca Wilmott (Contributor)
(View PDF)
2019
One reproduction and two texts, published by Artbook + Verge Center for the Arts, CA
ISBN-10: 0578446928
ISBN-13: 978-0578446929
Essays by Glori L Simmons, Gennifer Smith, Christopher Brooks, Elizabeth Mickaily-Huber, Julia Thompson (View PDF)
2021
In conjunction with exhibition, University of San Francisco, CA
Wall Text (View PDF)
2017
Center for New Music, Solo Exhibition, San Francisco, CA
Essay by Michael Arcega (View PDF)
2016
In conjunction with Bizarre Bizaar exhibition, Root Division, San Francisco, CA
ISBN-13: 978-1536878448
Essays by Lori Starr, Sophie Schwabacher, Randi Zuckerberg, Rani Jaeger, Anastasia James, Renny Pritikin (View PDF)
2017
Publisshed by Contemporary Jewish Museum
ISBN-10: 2017955930
ISBN-13:978-0-9916411-5-4
Essays by Lori Starr, Claire Frost (View PDF)
2015
One reproduction and text, published by Contemporary Jewish Museum
ISBN-13: 978-0-991611-1-6
by Allison Town, Emily Tyler, Patricia L. Watts (View PDF)
2015
Grand Central Press
ISBN-10:935314911, ISBN-13: 978-0935314915
by Ashley Rooney (View PDF)
2013
Schiffler Books
ISBN-13:978-0-7643-4548-7
Edited by Hugh Behm-Steinberg (View PDF)
2015
California College of Arts
Essay by Amy White (View PDF)
2012
John and June Allcott Gallery, The University of North Carolina
Essays by Dara Solomon, Jeremy Berstein, Mary Jane Jacob, Colleen Stockmann (View PDF)
2008
Contemporary Jewish Museum; First Edition
ISSBN-10: 615251447
ISBN:-13: 978-0615251448
Essays by Eleanor Heartney + Glen Helfand (View PDF 1) (View PDF 2)
2012
Stanford Art Gallery
Essay by Gustav Svihus Borgersen, Translated by Birgit Kvamme Lundheim
(View PDF)
2012
Fagtrykk
Essays by Jennifer Jane Marshall + Sharon Spain (View PDF)
2012
Recology San Francisco Artist Residency
Essays by Wanda Corn, Dyana Curreri-Ermatinger, + Hans Gallas (View PDF)
2011
Stanford In Washington Art Gallery
Edited by James M. Thomas, Sanaz Mazinani (View PDF)
2010
Stanford University
ISSBN-10: 0-9827694-2-3
ISBN-13: 978-0-9827694-2-3
Edited + Essay by Doron Polak (View PDF)
2003
Holon, Israel : Doron Polak Projective, The International Artists Museum
Edited by Caitlin Strokosch (View PDF)
2010
Alliance of Artists Communities